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  1.  
    Hey, this is Kip from Scallywag Films. This is a link to a film I shot in under 48 hours for like $39. It was shot in an effort to learn software better and practice making better short films. Peace and have fun:) Kip
  2.  
    Click this link or paste it into your browser if you are interested. It is 9 min. long.

    http://video.google.com/videoplay?docid=7535632212417061667
    •  
      CommentAuthorGary
    • CommentTimeDec 8th 2007
     
    It was a fun short film. Acting was a bit rough in some spots, but for a quick piece, that's to be expected. I especially liked the music score. It all seemed to work with the exception of the last clip in Barcelona which seemed a bit too "porn". For a short just meant to test new software and shot under 48 hours, you did good.
  3.  
    I agree with Gary. The acting was a bit rough, but the story was great. It really took me by surprise. Keep up the good work!
  4.  
    Ya, no rehearsal, shot quickly (3 takes per scene, and you get what you got). I was a little frustrated because of the time limits and drinking on the set, not by me, but now I wish I would have:) It is hard to get cooperation with time constraints ect. and it does show in the performances. I only had one camera also and a drunk camera guy:) yay! This is mostly my fault of course, rehearsal is what I mainly learned from this short and I have to relax and chill even though I wear most of the hats. I think I have a few good stories in my head so maybe the next one will be better:) thanks for the input and thanks for taking the time to look at it. By the way, amazingly enough there is a porno-alternate-ending I deleted, only a seasoned porn freak could have detected that, bravo Gary;)
  5.  
    I think I am in a slump. I have a bunch of ideas but don't really get exited about any of them for what ever reason (women, idiocy, lack of talent, criticism ect.). Maybe I picked the wrong day to stop thinking I'm awesome:) Maybe I'm listening to them too much? and you know what they're like don't you?
    • CommentAuthorChad Rinn
    • CommentTimeDec 18th 2007
     
    Boy do I know what THEY are like. Don't let THEM get you down. You know what they say "self esteem is essential for success" ... or did they say "self-esteem is for sissies"? Hmm, maybe I don't listen to them enough.

    My advice, Kip, (as unwelcome as it may be) is to chill through the holidays, forget all about your projects. Then after the holiday craziness - if one of those ideas comes back to you and gets you inspired, go with it. If you are still in a slump by mid Jan, drop me a line and maybe we'll come up with something to inspire us.

    Jan 12th Malcolm McDowell will be in town to host a screening of Mike Kaplan's Documentary "Never Apologize: A Personal Visit with Lindsay Anderson" 7pm at the Egyptian. It might be inspiring to go to that with a bunch of Boise Micro-Cinema filmmakers.

    Happy Holidays!
    Chad
  6.  
    Thanks for the advice Chad, I think it is sound and I think I will do that. January seems a good time to start a new, as usual:) I ran a couple ideas by some people and they didn't seem to like them, but ideas aren't my problem. Most times it's a constant battle between Good Kip and Bad Kip. Good Kip comes up with the "great" ideas and Bad Kip points out all the things that do, will and might suck about them. On the bright side though, Bad Kip sometimes puts us in the position to get some, although he's slacking on that these days also. He says the effort is often not worth the payoff or lack there of. So, we'll make movies instead:)

    I thought of a couple documentary ideas also, that might be fun, it seems really "Micro-Cinema" to me to make a documentary. It would be cool to see the guy from A Clockwork Orange. That's inspiring right there. Take care Chad. Peace and have fun Kip
  7.  
    I liked it.

    The opening scene with the blocks was inventive. Then the following scene with the man in the small room was nicely unsettling. The music was cool. Also, the plot caught me by surprise.

    I think this is a very interesting scenario.

    Have you considered developing it any further?
  8.  
    Do you have any suggestions in the way you think it should be developed and why Mr. Brown? (Thomas Brown is my new hero by the way). Kip
  9.  
    Sorry it took me so long to respond. Holiday season and all.

    I don't have any specific suggestions. But in general:

    I think it's a good idea for a story that could yield some interesting situations. The idea of a filicide while the other parent tries to uncover the mystery behind their childs death (or disaperance) seems very ripe with possibility. Maybe you could consider what you have now as a rough draft and continue to improve on it. Who knows what you might end up with.
  10.  
    Thomas, thanks for the input. Drew says stuff like that sometimes. I am better at concept it seems than anything, many pretty solid ideas but half ass fallow through I guess. I will think about your thoughts and thank you for them. What are you working on these days?
  11.  
    I think it's the follow through that is the hard part as well for me and most people I know. Communicating your vision of a story through the language of cinema takes a lot of time, resources, and proficiency in a myriad of crafts necessary for production. It’s hard to know and anticipate everything you need to know, let alone be an expert in all aspects of production.

    And then throw in the fact that you’re doing it all on a micro budget in your time off from work etc…

    I think it just takes experience that comes from nowhere else but doing it.

    As for what I’m working on:

    I’ve been learning how to use music creator 4. I’m also trying to finish up my feature–ish length college senior project. I won’t bore you with the details here, but maybe I’ll post some screen shots when I get a chance.
  12.  
    Yes, things that look good on paper and read well are real hard to translate to film especially given all the limitations we have as Microcinemists. Ever since I was a kid I have seen things like a movie and played a soundtrack in my head. I do my best to be the hero or at least a like able character:) (That's how I'm going to get into Heaven:) I have even told girlfriends during altercations (half jokingly, remember, they know me and I'm a smart ass) that "The audience really wouldn't be liking them at this point." That is why I finally gave in and started to bring ideas to life. I haven't been working on anything for like 3 weeks since "Ryan is Missing". I had been bummed for a few reasons and disappointed in humans. It is true, I think, that people will tell you that you can't do things because they are afraid to try or too lazy or afraid of failure. They will put negativity in your head and take the air out of your dreams because they really don't want to see you succeed if they can't or won't. Every once in awhile they steal my air but after the new year I am taking it back.

    I have made maybe 7-9 shorts and all of them have been kinda difficult. I have had little help on any aspects of the shorts, I like to do it all like Robert Rodriguez. Of course I suck at most of it but that is half the fun and challenge. I am not a techy person, computers don't come easy to me, so I trudge along like an idiot and hope things work out in the end. I heard my boss at work thinks I have ADD, if he only knew the half of it. I may have "ADD" if that means I just don't care about Corporate American bull**it. I could care less if Fat Pocket Jim has another BMW. I can't concentrate on that and won't. Art is my happy place and that is where my heads at, unless some chick with a low cut dress walks in, but hey, aren't they a form of art also? At least until you get to know who they really are. I go crazy with all the ideas that race through my head and find it hard to grab one and run with it. Maybe I should be like everyone else and get on drugs to make me sane again?..... Oh ya, they just want to attack your symptoms, they will never cure you, there is no $$ in curing.

    When you aren't paying actors and they can only be there at this time for this long for how many Oreo cookies, it is hard to get a performance. Continuity is a bitch also and most of the time the project is much more important to me than everyone else. But, I am just glad they show up and try:) Everyone is a critic, but I only try to listen to what I agree with, and people I respect. If you have never helmed a film you tend to not know what the F your talking about. I am a piss poor critic, I know how hard it is to make a movie so I find good in most films. I will shut up now (I know, I know....thank goodness). Peace Thomas, have fun.
  13.  
    there is no $$ in curing. (well, off to fix more f-ups:) Up up and away!
  14.  
    Hey Kip could you do me a favor and see if you can edit your post yourself? In the top right corner of your post you should have a little 'edit' link.

    BTW thanks for coining 'Microcimists.'
  15.  
    Nathan, I hope that is what you wanted and the reason isn't that I am being too far off color again:) and it's Microcinemists:)
  16.  
    Oh no. Not off color. I just wanted to make sure that the software was actually allowing to edit your posts. Yes, 'microcinemists' good stuff!
  17.  
    Hey, this is a short student film I Co-Directed, did Special FX and Make up on and played a demented clown in. Justin Wildman, a good friend of mine and very talented crazy person Directed it and me and Mark are in it. It was filmed like an i48 but edited brilliantly by Justin in a longer time period. Scallywag Films and Wildman FX are talking about collaborating again and I cant wait! We think it is pretty cool I hope you bad asses get a kick out of it. Here is the link to youtube.


    http://youtube.com/watch?v=vugilLcOb2Y
  18.  
    Oh, it's called "The AntiDepressant."
  19.  
    A few of you have seen it but feel free to let me know what you think if you have time to check it out. I think it is like 6 min. long. It is a kinda dark twisted disturbing comedy.
  20.  
    Ever since I can remember I have been addicted to movies. I loved John Wayne and Charles Bronson but especially monster movies like "Jason and the Argonauts". My Dad use to piss me off by telling me John Wayne was a pussy:) The old man always told me I should pick something with less competition and that cost less money to produce and something I could actually do. He wanted me to get a trade like...welding (by the way the old man is almost always right). Instead I did neither, I became like some of you, a Corporate American Drone. I still painted oil paintings and made up characters ect but I just watched movies. <br><br> The days churned by on the Corporate American ground hog day like nightmare. I listened to co-workers in their 50's complain and hate every step they took. One day I said, "That isn't going to be me". I don't care if I have to live in a mud hut and eat grubs and dirt like Survivor Man (stay away from the green ones). So I quit after 20 years and said " F-ya all, I am going to make shit*y Z-grade tripe DV films". So, I made a few and they all blew. A lesser man would hang up his wanna-be ego mania and become a shoe salesman.... but what would John Wayne do? He would beat the nay-sayers to a pulp and F- their girlfriends so, it seems I have no choice. <br><br>

    Coming up with ideas is the easy part, I have tons everyday, it's deciding on one and going with it. I do force myself to just go with an idea and stop waiting for "the idea". Example: I did one called "Comfort Coco" about a blind lady who takes in a border for extra money. The border sees a little girl who calls herself Coco asking for help in the dark that night then she disappears. He informs the blind lady and she says it is the ghost of her sister Jamie who died years ago. The border discovers that the girl was actually murdered by the blind ladies mutant brother before he disappeared in a swamp while being chased by the police a few years back. The blind lady had been trying to conjure up the spirit of her dead sister for awhile by using voodoo and she thinks the little girl the man has seen is the result of the voodoo. We find out that the lady has been hiding the mutant brother in the basement all this time and he has been sneaking out and kidnapping little girls to replace the little sister he accidentally killed. Coco is one of his victims and the blind lady thinks she is a spirit reaching out for help when in fact she is trying to escape the mutant brother. Anyway, it turned out ok. It was my 3rd short I think. The hardest thing was getting people to be as passionate as me and working with all the personalities. We where almost kicked out of the location because the chick thought we where really practicing voodoo, so I turned her into a newt! We had to always hurry, people had to be here and there at this time. This hurt the performances, as I think the time element has hurt or killed all my shorts. People are always in a hurry, even me, I have to start chilling. We even had some drunk groupie chicks who kept knocking at the door to watch the shoot, hell I almost scrapped the project and signed them to a porn contract:)<br><br> When I make a short film I always have people say, "I liked the story or the shots where beautiful or you suck ect."
    If one part of the film sucks the film tends to suck that is the hardest part, hitting all the G-spots. Sorry you read this bullsh*t but it's your fault, why aren't you making a movie right now slacker? Maybe it only makes sence to me but sometimes I have to put things in perspective and in writing sorry again. I have 3 good ideas for shorts and I want to film one of them before the i48. I have been practicing my 3D Max, I want to make a 3D character soon and start using 3D titles at least the credits will be cool. The whole point of this really is, for me, I would rather have time and no money than money and no time. Do what you love, even if you suck at it, everything else is a waste of time 'Till next time Have fun, Kip
  21.  
    I have started to think about the i48, being that it's this next weekend, and that has forced me to watch a few of my old shorts. I came to the conclusion that they all suck swamp water. It even pains me to watch a couple of them. Well, they can only get better.....or suck worse, cool!, I have a 50% chance or not sucking!
    <br><br>
    I did see some great movies this weekend though. Lars and the Real Girl, Music Within and Juno. Who ever wrote Juno is an f-ing genius! The best written film in years, also one of the best films period.... that doesn't contain gratuitous sex and violence;)
  22.  
    Anyway, in a nut shell the i48 fell through for us, even though I threatened Petco and they apologized to me so I still work there. I almost quit, but Petco is alright, I pretty much do what I want there but it's all evil corporate American bullshit, which I hate. <br><br>

    The i48 fell through because everyone flaked on me at the last minute one by one. As a Director I have to deal with things like that, I kept saying, "It will be cool man, we can still do this." Then I would Re-Write the script, I wrote 3 in about 10 hours and my brain was already mush. The other director/writer had bailed (personal reasons). Then both the leads went with him (his friends) as well as the locations (his locations) ect. ("Don't worry, we can still do this man:)" Then one of the co-stars couldn't make it either (Plumbing problems, and not the female kind). Help me, it's raining flakes:) I then re-wrote again #4, for less characters (I wasn't even going to appear on camera this year) and we tore our house apart to make room to film and splash some blood around. Our camera man showed up. He I also went to school with and he always has come through but we needed one more person (He doesn't want to appear on camera, stage fright I guess.) but to make it work they had to get bloody. No lines but they had to look beat-up. We called a total of 7 people who had expressed interest in being in a film. All either had to work, had to go to a BBQ? would call us later and all called too late. (I even considered playing 2 parts, total cheese) We where already 11 hours behind schedule and my brain was numb from trying to figure out how to make it work. We are not from Boise and if I where back home I would have already been done, taking bong hits and watching Scrubs;) I don't make friends easy and I don't know anyone around here that wont flake on me or who hasn't already flaked. My little hottie actress is out of town and all the other movie people I know are...making a movie. I started offering $30 for the role and still no bites (big spender). I even asked the neighbor guy. It came to the time that I didn't want to half ass it anymore, it would have sucked. I didn't prepare good enough and I choked, I will take all the blame.<br><br>



    I was disheartened at this point, thinking this movie business is a pipe dream like the old man said (I think this periodically) and kind of delusions of grandeur ect. I sat out on the back porch and talked to my camera man Shaun, about being an artist. He is one of the best 3D modelers I know. He graduated from ITT and Vancouver Arts. He can't get a job, big surprise. It is hard to make $ being an artist, even when you are a good one, yet another reason to quit. I have painted several paintings and only sold a couple, the rest hang at Dad's house:) (While the i48 crumbled around me I thought I should have filmed the drama of what was happening, it would have been golden) My Mom called and I told her I should hang it up. She said she would be in the movies, she wasn't a very good actress though and she would work the camera and not to quit. At that moment my passion returned, and it only took a 60 something year old beautiful lady to open my loser eyes.<br><br>



    We decided to make 2 of the screenplays I wrote, "Empty" and "Life Map" for more practice later. So, I will still see you on the big screen again, lucky you:) I always preach positivity and winning in the end, I have to be strong enough to take my own advice and not puss out.



    Here is the link to the short I did make in 48 hours. You always have hell and fun making movies and this one also had it's share of hell which affected our acting ect. big surprise, but it is what it is. I made it to prepare for the i48 this year and it became the only thing that came out of the 48 for us this year. It was made in under 48 hours.<br><br>



    http://video.google.com/videoplay?docid=7535632212417061667 <br><br>



    This link is to the film we made with a real talented friend of ours Justin. If you haven't seen it I hope you like it. Feel free to comment on either, we have developed thick skin;) <br><br>


    http://youtube.com/user/cinemanfive <br><br>








    "Ryan is Missing" isn't that great but it's better than our last film so that is good. I do feel defeated today but it won't last for long. It's the first time I chocked the i48. I can't control what others do, but I am the one with the passion and the vision I will take the blame. I can't expect others to do the same, especially when no $ is involved. Time to rob a bank. I wasn't going to wank about this on here but Mark and Shaun thought I should lay it down. Take care and have fun Kip Whitaker Scallywag Films
    • CommentAuthorJim
    • CommentTimeJun 2nd 2008
     
    KW, Thanks for the two links. I remember seeing the "Antidepressant" film somewhere previously - perhaps at a Small Pond Screening. "Ryan is Missing" was also a good "read" or "screen" or whatever we should say. The story moved along at a nice pace and provided an unexpected turn of events. Personally I always enjoy seeing attractive ladies in a movie, so thanks for the pleasant visuals and bravo for the bikinis. Porn? Hardly. Instead, the ending scene was a nice surprise and the touch was senuously subtle but an unambiguous indicator of the motivation for Ryan's demise. Nice job. Looking forward to seeing your i48 project. Jim (Spatz)
  23.  
    Jim is my new hero:)
  24.  
    I have shot about half of my new short, "Loves Me Not". Been having a little trouble keeping a camera operator around, two have moved away on me:) I can't do it all myself, unfortunately, I play one of the main roles:) But I have pulled it off before...somehow:) I had to key out a blue screen scene which turned out ok but somehow the actresses white shirt was kind of effected, Maybe shadows of a blue hue are present or something. I hope it doesn't look too obvious or just a happy accident as Bob Ross would say:)
  25.  
    I am filming 2 scenes today, both have babies in them. You know what they say about filming animals and kids:) My boy Ash was very good in his last scene though, he is 1 year old and he had to look like he was trying to play chess, he was really good:) I hope he does that good today:) Going to try to film in the morning also if I am not too busy with real life and procrastination.....:)
  26.  
    I only got to film one scene. Ash was great once again (Surprisingly, he's kind of a bad boy alot of the time:) It wasn't easy, he was all over that chess board immediately, I shot what I could when he let me:) It got too dark for the other scene, I will do that later I guess. I am doing a couple of voice overs and post stuff today. I am running out of HD space so I have to edit as I go. I have 3 other external drives but my Premiere hates to pull vid from them, I need more RAM, I have a gig of RAM but it's never enough:)
  27.  
    I am still having problems keying out a blue screen effect. It won't tweak quite good enough. I am going to put 1 or 2 more filters on it and give it a surreal look to solve the problem without re shooting and lighting the scene and throwing blood all over the place. I don't want to re-shoot, I want to move on and get it done. It's not like the short is that important, they all are experimental at this point. I don't know who I am writing this shit for....probably just myself, but that's ok, I like reading about me;)
  28.  
    I spent 3 hours editing 2 scenes and they looked pretty cool.After I rendered them out one started freezing here and there. I just thought I was low on memory but something else happened. I have to capture one of them all over again, I hate wasted time.
    • CommentAuthormatty
    • CommentTimeFeb 17th 2010
     
    Go on...I'm listening!
  29.  
    I put the scene together again and it turned out ok this time and it seems pretty cool. Each scene was one continuous shot so I was just really playing with the sound FX and music. Also I had to lighten them up a bit and they got a little grainy in places, but it looks stylistic a bit (what the f*** am I talking about?) Unfortunately the scenes ran a little long making a planed 8-9 minute short to possibly 14-15. That's ok though, no one will probably see it anyway. Matty is my hero.
  30.  
    I transferred an AVI of the blue screen effect I was working on onto my laptop. It looks like s*** on the laptop, the filters I used to make it look pretty cool on my desktop looks like crap on the laptop, terrible. Maybe I don't have enough resources, RAM and power to tweek it right. I would scrap the scene but it's important to the plot. The girl will do it over but I am going to try a few other tricks, a re shoot will be last resort because I have 3 other shorts I want to do this year. I thought I had the first 4 scenes in the can, now I don't know what I have.
  31.  
    Hey Kip,

    You may already know this so if you do well... just ignore me. One trick that really helps to chroma-key (green screen or blue screen) is to deeply saturate the colors of the image you are trying to key. This turns your blue super blue so your chroma key software can make an easy selection. Don't worry if it looks unreal. After you key the part you want then just desaturate the image back to a 'normal' look.
  32.  
    Wow, this thing is on:) How's it going Nathan? Ummm, I did think of that, sort of. I didn't really learn about these things much in school and I didn't look up how to do it on the net but my brain will try to solve the problem regardless, either that or give me a migraine:) I figured if I turned the blue, like really blue, then keyed it out and then put it back to normal it would work and I thought it had, it looked pretty cool on my desktop Dell but on my Asus Laptop it looks much different. I did put some noise on it and deepened the red hue which looked cool and surreal on my desktop but on the laptop too much red, too much noise too much amateurism:) It's hard to find time to make a movie anyway with work and my twins so I am frustrated, the voice of reason is always telling me to bag the movie business but I think I will re-capture the scene, try the deep saturation thing again by the numbers and desaturate more precisely. I don't care if it looks unreal, that will be ok, I just don't want it to look too stupid. If that doesn't work I am going to figure it out in another way. Thanks for your help, it is much appreciated, I hope it works:)
  33.  
    I almost lost 90% of what I have done on this short film. Luckily, I always back up everything 3 times. This will save your ass sometimes. I went back to my old ways of editing scene by scene like it's it's own movie. Sometimes I get exited and capture and edit too many scenes at once and it bogs the computer down of course. I freed up the hard drive alot more and tied to make it run faster-smoother ect. I have 3 and a half scenes of 9 in the can, passable for an actual crappy no budget film. I am going to re-capture the blue screen intro and try what Nathan and I discussed earlier, I hope it works because the shot scene is pretty cool looking and I don't want to re-shoot, I have other films to make and f*** up.

    My Dad always told me to get a realistic goal in life. Maybe he is right, making movies is kind of a weird thing to do but everytime I try to quit I see a story in my head anyway and I have to manifest it. I have been paying attention to what Will S. has posted about no respect for our art in the Boise media and I have read and watched everything I get my hands on about directing, acting ect. and it seems to be like the lottery for people to actually make it in this business and survive without a day job:) Then I tell myself, well, if you where as good as they are maybe you would make something worth a sh*t to watch for more than 5 minutes. So, my inner battle of quit an except your retail, cookie cutter meager existence or continue to try to get better at what I do is pretty intense not to mention taking care of my twins, student loans, rent, other evil personality, wacky ex-girlfriends ect. I hope I can try to quit dabbling and make an actual enjoyable film one day.... I guess that is the goal. Too bad I can't pay the rent with it. I just don't want to be old and decrepit and saying "I could have made a cool movie..... you, f****** whipper snappers! Now get me my jello and Nilla waffers, my stories are coming on."
  34.  
    Kip, my dad always encouraged me to be pragmatic as well. But forget that! Well, pay the rent and feed the family, but beyond that follow your bliss. That is my humble opinion, anyway. Thanks for sharing your adventures in passionate film making.

    nathan
  35.  
    I think my Dad is starting to kind of respect that I march to my own drummer. I have never been the corporate manager type. I was freight boss at Albertsons for a long time and I could have been much more and made alot of money, but money to me isn't worth all the s**t I would have to swallow. It is probably a dumb philosophy, a guy could most likly put a little whip cream and sugar on that s**t to make it taste better but I never wanted to be that guy. To me, art is where it's at but people sort of discourage it if your not Luis Royo or Oliver Stone ect. If they do except it they think I make porno but don't want to be in one because the price wouldn't be right;)
    • CommentAuthormatty
    • CommentTimeApr 6th 2010
     
    So what's new? You suck me in and now nothing????
  36.  
    Wow, bizarre.....Houston we have a fan:0 This is the skinny, for those of you how have missed a few episodes: I moved to Boise with my best friend Mark and went to ITT to study Multi Media & Film Making ect. They shoved 5 years of sh*t down our throats in 2 years and now I owe some legalized loan sharks $25,000. I told people when I left that they would see my name on the big screen and I can't go back until I do what I set out to do. I have made about 10 short films including some i48 stuff, and one I wrote actually won best genre one year. A couple of years ago I entered with a very talented friend and we wrote something really cool but when it came time to shoot everyone but me and Mark dropped out one by one, a bad experience, and I have only made 3/4 of a film since then, called "Loves Me Not". Not knowing many people around here and working most of the time to pay rent ect. really deflates my films and chances of filming. I am the only one who takes it seriously, everyone else around me thinks I am out of my mind. They think I should quit and be a corporate American drone like most of them. I don't want to be on my death bed with tubes and wires and a big boy diaper on thinking, Hell, I sure am glad I gave my life to corporate America and never took a chance to be actually happy at what I do.

    When I was a kid my Dad was the hero. He instilled a huge work ethic in me and, normally, I out work pretty much everyone at my jobs, unless they also have a work ethic, which is few and far between. My Dad retired when he was 50 and is still the smartest cat I know. Although, he has the mindset of job and it effected my choice back then not to be an actor and not to make movies, making $ from movies is a silly dream you fool. So now I am older and hopefully wiser and I want to make f***ing movies! Everyone is a critic also, even me to some extent. I see movies I don't like but I like more than I don't, I respect the effort put into them.

    I had a young girlfriend, 15 years younger than me. We only f***ed and fought all the time. We really did have a generation gap man, it is weird. I never thought that I wouldn't be considered at least half cool:) She hates my music ect. ect. We finally break up but she still needs me, and I have love for her. She gets pregnant by some guy she used to know and has twins. The guy flakes out and never pays child support or sees the babies. She wants me to meet them and I say no (I already have 4 other kids who's Dad's abandoned them and I became their Dad). I end up meeting the twins and now I help take care of them 90% of the time. I spend my last money on diapers and stuff for them, I feed them, bath them everything and it's not easy. Until someone thinks they can do better, I am Dad. It does worry me that they could be taken away at any time but I will deal with that later, I have had way way worse believe me. Anyway, they have made it extra hard to make films, so, I put them in my movie. If you though taking care of the twins is hard, me and the girl also aren't "together", she wants to start doing it again and be together ect. ect. I refused, I already tasted that and I need some sort of escape and freedom....so, I am single and she doesn't really like that, but that is tough.

    The plan is to make 20-25 short films, by then, I will be done writing a couple of features to try and shoot. I want to f-up on things when the cost is very marginal. Mark got homesick and moved back home so, I have filmed 90% of Loves Me Not by myself and I am in it. I have made films all by myself before and people haven't known, they think I have a camera man because of all the set ups, but it just takes more time and preparation. I have a scene in Loves Me Not that has been frustrating me and the chick in it moved to New Zealand so I can't film it over. I hope I can make it work. If anyone happens to read this dribble and wants to collaborate on a film, even from scratch, let me know. I think I am easy to work with but I like to leave my mark on any film I am involved in, I think like a director so, I am sure I am an asshole sometimes;) I had to change my name to Swashbuckler Films because Scallywag was hijacked and they went out and looked better than me....f***ers. What does it matter, they both sound like porn studios anyway.......which I haven't found a reason to be entirely against at this point. Maybe I can make a classic porno called Gone With the Blow Job...female auditions for this will be held in the hotel room of my choice;)
  37.  
    I
  38.  
    Empty


    Scene 1

    EXT: By a campfire (Night Time)

    Two old friends are sitting around bullshitting. One is sipping beer from the bottle. The other is drinking bottled water.



    Jason
    “Ya uh,…Tim got his tongue pierced yesterday.”

    Pike
    “His tongue pierced?”

    Jason
    “Yeah,… his fucking tongue pierced?!”


    A small pause as Pike takes a sip of beer and a puff off his smoke.

    Pike
    “Isn’t he like,...15 years old or some shit like that?.”

    Jason
    “He says it’s like an ornament. I told him, you’re not a fucking Christmas tree Tim! You’re just…. A stupid idiot apparently.”

    Pike
    “They say it helps with,… you know?, oral stimulation.”

    Pike wags his tongue at Jason through his fingers. Jason gets a weird look on his face.





    Jason
    “I don’t think he’d know what to do if he were confronted by an actual vagina! Ya creepy bastard !”

    Jason has a swig of his bottled water. There is a short pause.

    Jason
    “…and what’s up with all the butt cleavage around these days? In my day you never saw a chick’s ass crack, and if you did ya paid for it one way or another.”

    Pike
    “ Ya, they put it out there for the world to see…then when they catch ya takin’ a peak they think you’re a pervert! Hey lady! I’m not the one with my ass hanging out!”

    Pause.

    Pike
    “Well, I’m glad it’s the woman’s cracks, could you imagine if guys started to flash their hairy ass cracks every time ya turned around?”

    Jason
    “Ya well, tell that to my plumber, he’s a walking, talking ass crack cliché.”


    Pike tries to light a joint but his lighter won’t ignite. Finally it does after the fourth or fifth attempt. He hits it and passes it to Jason. Pike coughs a couple of times.

    Pike (talking while holding the hit in)
    “I gotta cut down on smokin’ this shit man….I just keep forgetting too,”

    They both smile. Another pause while Jason hits it.

    Jason
    “Melody’s been being a wackjob again. She said her doctor says she’s Bi-Polar.”

    Pike chuckles.

    Pike
    “Hey now, that could be a good thing for you man. Maybe she’ll invite one of her lesbo girlfriends over for a threesome sometime!”

    Jason
    “No you ignoramus!, you have been smoking too much hippie lettuce ya stupid dip shit?!! She has these fucked up mood swings and shit man! I told her, Hey honey, I’ve been trying to have an affair with your other personality for years but you keep showing up and spoiling the fun!”


    Pike swigs the last of his beer, points at his watch and they get up and walk away from the fire.

    Jason throws his bottled water out of frame as far as he can.
    As they stand up the empty beer bottle tips over, spins and comes to a stop. (The title “Empty” appears on the screen.)

    As they walk up to the front door.

    Jason
    “We better get this shit over with or Mr. Clay is going to wonder what’s up?”

    Fade Out.

    Scene 2
    INT: Front Door Entering Old Empty Farm House. (Nighttime)

    Jason and Pike enter the front room of the house, still talking about trivial shit.


    Jason
    “Anywho, Melody says to me the other day “Every other couple I know has these little nicknames for each other like “honey cakes” or “sweetie shnookums” how come you don’t have a nickname for me Jason? You’re not romantic like other guys. Blah blah fucking blah man, so, apparently, I have to come up with a little nickname for her.”

    Pike
    “Well, what have you got so far?”

    Jason
    “Ya, I was thinkin’ maybe “Hose Bag” or “Sperm Bank,” something like that.”

    A slight pause as they continue coming into the house

    Pike (snaps his finger and points at Jason)
    “Cock Gobbler.”

    Jason (seriously)
    “Ya,… that’s a good one too.”


    The two walk through the living room towards a small kitchen and out into an empty garage. They walk into the garage and over by a large chrome chain that seems to be hanging from the ceiling and out of frame to the floor.

    Jason
    “Hey, I heard that Shelly's mother had a stroke. Sorry to hear that man.”

    Pike
    “Ya, they said it was a Grandma Seizure. Apparently she was dead before she hit the floor.”

    Jason
    “It’s Grand Mal Seizure not Grandma, numb nuts.”

    Pike
    “Ya, what ever, it sure makes me never want to be a grandparent that’s for damn sure.”

    Pike grabs hold of the chain and pulls on it hoisting up a bloody and beaten woman into frame! Her hands are bound by the chrome chain and she is bleeding profusely! The garage floor is covered with a huge plastic tarp.


    Pike kicks the tied woman hard in the ribs! The woman looks at them bloody and beaten but full of contempt. Jason slugs the woman in the stomach hard! Pike lets go of the chain and she falls to the floor!

    Jason (Looks at his watch)
    "The time is now 9 pm and Mr. Clay has yet to call.... shoot this piece of shit Pike! Roll her up in that tarp and we'll dump ‘er in a ditch somewhere."


    Pike pulls out a hand gun and points it at the beaten bloody woman. The woman's eyes bulge with fright!

    Jason
    “If anyone deserves it it’s this cold hearted bitch!”

    Pike
    "Nothin' personal honey,... My wife just needs a new pair of tits."

    Shot of beaten woman cringing and closing her eyes as Pike pulls the trigger. Click.........click, the gun is empty!


    Pike
    "What the fuck!?"

    Jason angrily grabs the gun out of Pike's hand and points it at the beaten woman! He squeezes the trigger...Click! He pulls out the clip and examines it.

    Jason
    "It's empty ya silly fucker! I told you not to shoot at those damn squirrels on the way up here ya dildo!"

    Pike
    "Well,.... if you would have just pulled over I may have been able to hit one or two of ‘em an gotten us some supper!"

    Jason
    " I wouldn’t eat a mangy fucking squirrel ya moron!
    Now how the hell are we gonna git rid of this bitch?! This house is as empty as a tomb… or your fuckin’ head.”

    Pike pulls a small pocket knife out of his pocket with a blade about 2 inches long.

    Pike
    "Hey Jason, I have a knife maybe I could stab this bitch a few times!?"

    Pike makes a few feeble stabbing motions.

    Jason
    "What, a few hundred times!? You couldn't gut a fish with that little thing,...maybe you could give her a manicure though Mary Kay."

    Pike
    “Hey, you got a better idea smart ass? It’s worth a try man!”
  39.  
    Shot of beaten woman's frightened eyes as Pike grabs her by the shirt collar and plunges the knife in her. 4...5...6 times. The woman rolls around in agony. Pike stands up and Jason looks at him. The beaten and now stabbed woman rolls around on the floor and looks at them with hate in her eyes!

    Pike
    "Well, she ain't dead. Now she’s just really pissed off! Maybe we could hit this fucker with something?"

    Jason
    “ Ya, go in the house and see if you can find anything we can use to kill this waste of skin.”

    The woman looks at them angrily bleeding.

    Pike comes back with a large cast iron frying pan and hands it to Jason.

    Pike
    "Here, this might work. Hit her with this heavy fucker a few times man."

    Jason shrugs his shoulders and starts beating the woman violently with the skillet! CLANG! CLANG! CLANG! Jason starts running out of breath from the beating.

    Jason (breathing hard)
    "Man.......she’s one tough bitch!!"

    The beaten woman starts crawling towards them all pissed off!, as if she wants to kill them now!

    The 2 men start searching for something to kill this chick with!
    Pike
    “That’s a crazy tough psycho bitch…that’s for sure man!”

    Pike looks in a shop cupboard, nothing there, empty.

    Pike
    “I forgot to ask about your daughter, what’s Kate been up too?…”

    Jason
    “I caught her smoking again, I told her, smoking will age you quick honey. Your face could end up saggy and wrinklier than some old man’s nut sack by age 35…plus you could catch cancer.”

    Pike
    “Ya, well kids never listen. They have to learn the hard way, I guess.”

    Jason
    “Ya, their fuckin’ stupid. What can you do?”

    They look at each other for a second and Pike wrinkles his mouth as if he has an idea.

    Pike
    “I’ll go look around outside, maybe there’s an axe or an old rusty pitchfork in the barn….. Bum me a smoke will ya?...”

    Jason pulls out a pack and shakes one out for Pike.

    Jason
    “Hurry back, I’m sick of looking at this skank!”

    Pike goes outside.

    Jason looks at the bloody and beaten woman and smiles.

    Jason
    “Alone at last….”




    He walks toward her out of frame.

    FADE OUT

    Scene 3

    INT: Inside Old Farm House. (Night Time)

    Suddenly Pike busts back into the garage. He has an old chainsaw in one hand and a beat up walking cane in the other.

    Pike
    “Hey Jason, who am I right now?”

    Pike does a imitation of Charlie Chaplin, swinging the cane, and shuffling his feet.

    Jason
    “A jackass?”

    Pike
    “I’m Charlie Chaplin man… the little tramp!...Ah, I fuckin’ nailed it! Fuck you man!”

    Pike quickly does the impression again then props the cane up against the wall and tries to pull start the chainsaw a couple of times. The beaten woman is trying desperately to get loose and is making headway as the two men argue about the status of the chainsaw.

    Jason
    “Well did you check it for gas chuckle head? It could have been sitting in that barn for years.”

    Pike unscrews the cap on the chainsaw’s fuel tank. The woman seems to be getting even looser.

    Pike
    “Yep, it’s empty.”

    Jason
    “Well get your butt out to the car and siphon some gas out into that red gas can I have in the trunk and we’ll fill ‘er up. Then I’ll let you go all Leatherface on this pathetic twat!…”




    Pike smiles really big and then heads out the door.

    Pike
    “This is gonna be fun!”

    Fade Out.

    Scene 4

    INT: Inside old farmhouse.

    Pike comes into the room carrying the red gas can with both hands and he sets it on the floor. Jason has the woman by the shirt with his fist clenched. Her shirt is ripped and her bra strap is showing. She looks very groggy; apparently being beaten and who knows what all the while Pike was gone. She is even bloodier than before. Jason lets go of her shirt and she hits the floor with a thud! Jason goes over and picks up the gas can, it is full and heavy.
  40.  
    Jason
    “Holy shit! Did you leave any gas in my car ya fucktard?”

    Pike
    “It really got going and I couldn’t stop it.”

    Jason’s phone rings and he answers it.

    Jason
    “Ok boss….. Yup, will do Mr. Clay.”

    Jason hangs up the cell phone, looks at the gas can and kicks the chainsaw across the floor.

    Jason
    “I have a better idea…We have to get this thing done pronto Pike. We’ll burn this dump along with this whore! Let Mr. Clay collect on the insurance,… It’s genius man.”

    Jason walks over and pulls the gag out of the woman’s mouth.

    Jason
    “Got any profound last words bimbo?”

    The woman smiles with bloody teeth and spits in Jason’s face!

    Jason
    “I hope you like barbeque bitch!!”


    Jason begins to pour the gas from the red can all over the woman drenching her to the bone! She screams and her mouth fills with gasoline! Jason hits her hard with the gas can! Then he throws the gas can down and Pike takes out his lighter and tries to light it.

    Jason (laughing)
    “Let me get out of the way ya crazy fuckin’ red neck.”

    Pike continues to try to light the lighter but it won’t ignite. Jason grabs the lighter from Pike and tries to light it himself but to no avail.

    Jason
    “This cock suckin’ piece of shit won’t light! Empty! It’s fuckin’ empty!”

    Jason shakes it by his ear and throws it against the wall shattering it!

    Pike
    “What can we make a spark with man?”

    Jason
    “We can’t make a spark now nimrod! This house is full of fumes now, we’ll be blown to hell!”

    Behind them the woman has somehow broken free!

    Pike
    “Hey, maybe we could run her over a few times with your car?”

    The woman scurries to grab the old chainsaw while the men are distracted. She dribbles gasoline she has been holding in her mouth into its gas tank.

    Jason
    “We could tie her to the bumper and drag her for a couple miles?….”

    Suddenly the sound of a chainsaw rings out! The two men look around surprised as the woman comes toward them swiftly and viciously!! Screams, ripping flesh and crunching bone fill the room!

    Scene 5

    EXT: Front of old farmhouse.

    The woman comes staggering out of the house saturated from head to toe in crimson! hers and theirs. She has Jason’s cell phone raised in one hand trying desperately to get a signal. She stops and stumbles, reaching into her blouse she pulls out a severed finger that had been lodged in her cleavage and she throws it over her shoulder and into a near by bush!

    She looks at the cell phone again, holding it up as high as she can and walking aimlessly into the middle of the dirt road trying to get a signal but the phone is empty.

    Then,… WAMMMM!! She is hit by a passing car out of nowhere!! She rolls over by Jason’s parked car! Two men get out of the car and run over to her side! The men look down at her as she burps up blood from her mouth! One man has a big cigar and he takes a big puff off of it.
    Cigar Man
    “I told you Benny, If you want something done right ya better do it your fuckin self. Then you only have yourself to blame if things go screwy, capiche?

    The man with the cigar kicks the fallen woman.

    Cigar Man
    “Bad ass Navy Seal my aching ceester! She’s just another broad Benny, see she’s not scary.”


    A big man with black sunglasses answers the Cigar Man.

    Benny
    “Yes Mr. Clay.”

    Mr. Clay
    “Now where are those incompetent thumb dicks?”

    Benny
    “Umm, I bet those dumb thumb dicks are in the house boss, there’s blood all over the inside of that window.”

    Mr. Clay
    “Come on Benny, those pain in the ass clowns are gonna make me miss Dancing With the Stars.”

    The two walk up toward the house. The woman rolls over and starts to pull herself up by the car handle. She opens the car and slumps into the drivers seat. The keys are still in the ignition and she laughs slightly. Mr. Clay and Benny walk into the bloody mess in the house.
    Benny
    “Holy shit! Where gonna need a snow shovel and a shit load of garbage bags boss.”

    Mr. Clay takes a big puff off his cigar and BOOM!!! The fumes in the house ignite! The woman in the car smiles and laughs as the loud explosion goes off! All of the others are dead now.

    The Woman (Chuckling Groggily)
    “… Bunch of pussys!”

    She tries to start the car but it won’t start. The gas gage reads empty. Close up of her bloody hand dangling out the open car door dripping blood in a puddle on the ground. Drip, drip, drip, drip……drip……..drip…….. The blood stops. The car horn rings out.
    The title “Empty” appears on the screen. FADE OUT
  41.  
    I have an alternate ending where she survives also, I am not sure which one works. I will post the alternate ending later, I have to get out of here:)
  42.  
    ALTERNATE ENDING

    She tries to start the car but it won’t start. The gas gage reads empty. Close up of her bloody hand dangling out the open car door dripping blood in a puddle on the ground. Drip, drip, drip, drip……drip……..drip…….. Suddenly she sits back up in her seat! Slowly she falls out the door onto the ground and starts to crawl toward Mr. Clays still running car. It takes her quite a long time to crawl to the car, time lapse maybe an hour has passed and she finally makes it to the car. She feebly pulls herself into the car and shuts the door. A soda cup with a lid and a straw from some fast food place is in the cup holder. She is very thirsty and tries to get a drink from the cup. The straw makes slurping empty sounds and she throws it on the floor. She looks in the back seat and sees an empty bucket of fast food chicken, she grabs it and throws it at the passenger side window.

    She puts the car in gear and starts driving down the desolate dirt road into the sunset. Suddenly the car sputters and comes to a stop. She looks down at the gas gage, empty. She snickers a bit, then chuckles, then burst into a crazy as hell laugh. The car sits in the middle of the road in the middle of nowhere as the woman continues to laugh.

    FADE OUT
  43.  
    I am 2 and 1/2 scenes away from being done shooting my new short "Loves Me Not". I shot this one, behind and in front of the camera 100% by myself because I haven't been able to count on anyone to help these days. I am not from Boise, so I don't know that many people around here to impose on. So, I am sure it will effect the quality of the short, but, it is just for practice purposes anyway.

    Drew Wattles asked me to be on his i48 team this year. There is no one around here I would rather help so I said yes and I won't enter Swashbuckler Films this year, I will be helping Drew. He wants me to be mostly the editor, which is cool but he only has Final Cut Pro and I have only used Premiere. We are both going out of town the next 2 weeks so I won't be able to scope out the interface, so, it makes me pretty nervous. I have been watching a couple of tutorials on it, it is much like Premiere but very different also. Pretty nerve racking. I need to get on a machine that has it on there before crunch time but I don't know if I will be able to. The i48 is stressful enough without the editor not knowing how to edit:) We will see what happens, if anyone actually reads this and has any pointers let me know:)

    I have been watching a couple of my old movies. I can hardly watch them, they make me cringe. I think I do get better with every piece of shit short, so, that is something:) I am going to go meet Drew at a place called "The Pantry" today to talk about the i48 some more. If nothing else I am going to watch some more tutorials on youtube, it may help a bit I hope.
  44.  
    Hey Kip, this is an idea that I've been meaning to pass onto you for a bit but it always seems to slip my mind.

    Have you ever thought about turning your (mis)adventures in filmmaking into the films themselves? You've got a distinct voice when it comes to telling these tales and I think they (the voice and the stories) would translate to the visual medium quite well. Just something to chew on.